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[[de:»Olaf Langmack«]] | [[de:»Olaf Langmack«]] | ||
This website serves the topic of self-narration. Its | This website serves the topic of self-narration. Its material is [[raquo;Dates«|the existence]] of a single person.<br/> | ||
==Self-narrative== | |||
Narrating oneself is considered a creative act here. The result of any creative effort is referred to as a ''work''. A work becomes an ''artwork'' when recognized participants in the art world assign it this status. For example, by exhibiting the work in art spaces: in a [[»Museum of the I«|museum]] or a gallery.<br/> | Narrating oneself is considered a creative act here. The result of any creative effort is referred to as a ''work''. A work becomes an ''artwork'' when recognized participants in the art world assign it this status. For example, by exhibiting the work in art spaces: in a [[»Museum of the I«|museum]] or a gallery.<br/> | ||
==Rules of the game== | |||
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it exhibited in a museum and thus ennobled as an artwork. This is why the web is particularly well-suited to the purpose of this site: It gives everyone the opportunity to present themselves in every conceivable role.<br/> | Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it exhibited in a museum and thus ennobled as an artwork. This is why the web is particularly well-suited to the purpose of this site: It gives everyone the opportunity to present themselves in every conceivable role.<br/> | ||
==Multiple Identity== | |||
However, roles that a person assumes can be subject to rules or even laws. For example, Olaf Langmack here is the [[transformal GmbH:Privacy policy|data protection officer]] of his company, its [[transformal GmbH:Imprint|sole shareholder]], managing director, and, last but not least, the case study for this company's [[Professional Services|advertising]].<br/> | However, roles that a person assumes can be subject to rules or even laws. For example, Olaf Langmack here is the [[transformal GmbH:Privacy policy|data protection officer]] of his company, its [[transformal GmbH:Imprint|sole shareholder]], managing director, and, last but not least, the case study for this company's [[Professional Services|advertising]].<br/> | ||
==The Web== | |||
As it puts an [[»Notes«|end]] to the arbitrariness of his [[Olaf Langmack#Web History (Technics)|representation]] on the web, this website for him is quite [[»Dates«|liberating]].<br/> | As it puts an [[»Notes«|end]] to the arbitrariness of his [[Olaf Langmack#Web History (Technics)|representation]] on the web, this website for him is quite [[»Dates«|liberating]].<br/> | ||
Revision as of 19:12, 20 April 2025
This website serves the topic of self-narration. Its material is the existence of a single person.
Self-narrative
Narrating oneself is considered a creative act here. The result of any creative effort is referred to as a work. A work becomes an artwork when recognized participants in the art world assign it this status. For example, by exhibiting the work in art spaces: in a museum or a gallery.
Rules of the game
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it exhibited in a museum and thus ennobled as an artwork. This is why the web is particularly well-suited to the purpose of this site: It gives everyone the opportunity to present themselves in every conceivable role.
Multiple Identity
However, roles that a person assumes can be subject to rules or even laws. For example, Olaf Langmack here is the data protection officer of his company, its sole shareholder, managing director, and, last but not least, the case study for this company's advertising.
The Web
As it puts an end to the arbitrariness of his representation on the web, this website for him is quite liberating.
More contents
Today's edition has 412 pages. The prefix Category: in the search box allows navigating the contents with predefined keywords. The names of works are enclosed in »French quotation marks«.
Deutsche Ausgabe