Olaf Langmack: Difference between revisions

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==The Web==
==The Web==
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. But are they [[&raquo;Notes&laquo;|credible]]? Furthermore, roles taken on the web may be subject to rules or laws. The individual used as material for this website is ''data protection officer'' of the company hosting this website, its ''sole shareholder'', the ''managing director'', and provides their skills for his company's [[Professional Services|advertising]]. Each of these roles is subject to legal regulations. <br/>
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. But are they [[&raquo;Notes&laquo;|credible]]?


==Its Contents==
==Its Contents==

Revision as of 20:39, 26 April 2025

This is about self-narration. Olaf Langmack: »Simulation stimulates narrating oneself creatively.«

A Work

We refer to the result of any creative effort as a work. It becomes an artwork only when recognized participants in the art world assign this status. For example, by exhibiting the work in a proper art space, as in a museum.

The Web

Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. But are they credible?

Its Contents

Today's edition has 402 pages, the vast majority of which documents one single work. In the search box too, the names of works are placed in »French quotation marks«.

Deutsche Ausgabe