Olaf Langmack: Difference between revisions
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Here we refer to the result of any creative effort as a ''work''. It becomes an ''artwork'' only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a [[»Museum of the I«|museum]]. | Here we refer to the result of any creative effort as a ''work''. It becomes an ''artwork'' only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a [[»Museum of the I«|museum]]. | ||
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides every participant with the opportunity to present themselves in every conceivable role. That is why self-narrative on the web is not [[»Notes«|credible]]. | Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides every participant with the opportunity to present themselves in every conceivable role. That is why self-narrative on the web is not [[»Notes«|credible]]. | ||
== | ==Reference== | ||
<references> | <references> | ||
<ref name="FIRE">Richard Strozzi-Heckler, »In Search of the Warrior Spirit – Teaching Awareness Disciplines to the Green Berets«, 2002, page XI</ref> | <ref name="FIRE">Richard Strozzi-Heckler, »In Search of the Warrior Spirit – Teaching Awareness Disciplines to the Green Berets«, 2002, page XI</ref> | ||
Revision as of 21:37, 27 May 2025
His Motives
»You must concentrate and consecrate yourself wholly to each day, as though a fire were raging in your hair.«[1] Olaf Langmack investigates the right to a free identity along with the observation that outstanding creative achievements seem to demand self-sacrifice.
From the explanatory report
Here we refer to the result of any creative effort as a work. It becomes an artwork only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a museum. Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides every participant with the opportunity to present themselves in every conceivable role. That is why self-narrative on the web is not credible.
Reference
- ↑ Richard Strozzi-Heckler, »In Search of the Warrior Spirit – Teaching Awareness Disciplines to the Green Berets«, 2002, page XI
| Archive data | |
|---|---|
| A Description | A German individual |
| B Condition | »Notes« |
| C Manufacture | from 2015 until 2023 |
| D Entry | May 2023 |
| F Relation | »(Autofictional Novel)« |
| G Maturity level | Semi-finished work |
| H Affiliation | Olaf Langmack |