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[[de:Olaf Langmack]] | [[de:»Olaf Langmack«]] | ||
This is about self-narration. [[Olaf Langmack]]: »[[Simulation stimulates]] narrating oneself creatively.« | |||
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==A Work== | |||
Here we refer to the result of any creative effort as a ''work''. It becomes an ''artwork'' only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a [[»Museum of the I«|museum]]. | |||
==[[ | |||
==The Web== | |||
== | Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. But are they [[»Notes«|credible]]? | ||
==Its Contents== | |||
Today's edition has {{NUMBEROFARTICLES}} pages, the vast majority of which documents one single work. In the search box too, the names of works are placed in »French quotation marks«.<br/><br/> | |||
[https://de.transformal.com Deutsche Ausgabe] | |||
[[Category:Public]] | |||
[[Category:Description]] | |||
[[Category:2025 April]] | |||
Latest revision as of 14:09, 27 April 2025
This is about self-narration. Olaf Langmack: »Simulation stimulates narrating oneself creatively.«
A Work[edit]
Here we refer to the result of any creative effort as a work. It becomes an artwork only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a museum.
The Web[edit]
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. But are they credible?
Its Contents[edit]
Today's edition has 383 pages, the vast majority of which documents one single work. In the search box too, the names of works are placed in »French quotation marks«.
Deutsche Ausgabe