»Museum of the I«: Difference between revisions
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[[de: | [[de:{{T|Museum des Ichs}}]] | ||
This is an environment with a performative element | [[File:Vernissage.Museum-des-Ichs.IMG 7383.png|240px|right|Copyright © 2023 Miriam Jesske]] | ||
This is a work about silence – as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows the bodily experience of ideas he recorded during this time. | |||
==Residency== | |||
The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill. | |||
{| class="mw-collapsible mw-collapsed wikitable" | ==Omnipresence== | ||
! | The {{W|omnipresence}} is the stay in a stimulating environment.<ref name="ENVIRONMENT" /> It serves to detach oneself from social references and their place-bound nature. The environment in question is neither suitable for every person nor didactically thought through. There are no rituals of the kind that characterize monastic life, the monastery guest can join in. Omnipresence differs from the residence in that it is not aimed at artists. It also differs from the monastery in that it has no notion of otherworldly spirituality nor serves its mission. Omnipresence does not free from everyday worries. It teaches visitors how to deal with them by determining their share of the costs themself. | ||
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| A '''Description''' || Environment with performative element | ==Note== | ||
<references> | |||
<ref name="ENVIRONMENT">The term {{W|environment}} refers to artworks that are confined to a space. In simple terms, the artist assumes, what an interior designer or architect can do.</ref> | |||
</references> | |||
{| class="mw-collapsible mw-collapsed wikitable" style="width:50%;" | |||
! {{T-C|2}} | [[transformal GmbH:Conventions#Archive data|Archive data]] | |||
|- | |||
| {{T-HRVT}} | A '''Description''' || Environment with performative element. Longer stays are possible for a fee, during which visitors take on the role of the performative element. The prerequisite is an informal application with a personal recommendation, which also serves as a guarantee for any costs incurred. | |||
|- | |||
| style="width:25%;" {{T-HRVT}} | B '''Conditions''' | |||
| style="width:65%;" | Operations since February 2025 | |||
|- | |- | ||
| | | {{T-HRVT}} | C '''Manufacture''' || 2019 November: concept<br>2023 March: preparing the room<br>2023 August until September: construction | ||
| C '''Manufacture''' || 2019 November: concept<br>2023 March: preparing the room<br>2023 August until September: construction | |||
|- | |- | ||
| D '''Entry''' || 2023 October | | {{T-HRVT}} | D '''Entry''' || 2023 October | ||
|- | |- | ||
| E '''Location''' || | | {{T-HRVT}} | E '''Location''' || Dimensions: ca. 7,85 m (D) x 5,9 m (W) x 2,95 m (H); location not far from the geographical center of Berlin | ||
|- | |- | ||
| F '''Relation''' || | | {{T-HRVT}} | F '''Relation''' || [[{{T|{{KG3}}}}]], [[:Category:2015 February until 2023 May|February 2015 until May 2023]] | ||
|- | |- | ||
| G '''Maturity''' || Finished Work | | {{T-HRVT}} | G '''Maturity''' || Finished Work, [[{{T|Unfolder}}|Explanatory report]] | ||
|- | |- | ||
| H '''Affiliation''' || Olaf Langmack | | {{T-HRVT}} | H '''Affiliation''' || Olaf Langmack, transformal GmbH | ||
|} | |} | ||
[[Category:Description]] | [[Category:Description]] | ||
[[Category:Archive data]] | [[Category:Archive data]] | ||
[[Category:Image | [[Category:Image]] | ||
[[Category:Finished Work]] | [[Category:Finished Work]] | ||
[[Category:Environment]] | [[Category:Environment]] | ||
[[Category:Explanatory report]] | [[Category:Explanatory report]] | ||
Latest revision as of 10:29, 12 August 2025
This is a work about silence – as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The »Museum of the I« allows the bodily experience of ideas he recorded during this time.
Residency[edit]
The ›residency‹ is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill.
Omnipresence[edit]
The ›omnipresence‹ is the stay in a stimulating environment.[1] It serves to detach oneself from social references and their place-bound nature. The environment in question is neither suitable for every person nor didactically thought through. There are no rituals of the kind that characterize monastic life, the monastery guest can join in. Omnipresence differs from the residence in that it is not aimed at artists. It also differs from the monastery in that it has no notion of otherworldly spirituality nor serves its mission. Omnipresence does not free from everyday worries. It teaches visitors how to deal with them by determining their share of the costs themself.
Note[edit]
- ↑ The term ›environment‹ refers to artworks that are confined to a space. In simple terms, the artist assumes, what an interior designer or architect can do.
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