Olaf Langmack: Difference between revisions
OlafLangmack (talk | contribs) |
OlafLangmack (talk | contribs) |
||
| Line 6: | Line 6: | ||
==The Web== | ==The Web== | ||
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. Is this how they | Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. Is this how they finally lose their [[»Notes«|credibility]]? | ||
==Its Contents== | ==Its Contents== | ||
Revision as of 12:16, 3 May 2025
This is about self-narration. Olaf Langmack: »Simulation stimulates narrating oneself creatively.«
A Work
Here we refer to the result of any creative effort as a work. It becomes an artwork only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a museum.
The Web
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. Is this how they finally lose their credibility?
Its Contents
Today's edition has 411 parts of what is referred to here as a page, mostly documenting a single work. These parts are tagged with keywords.
Deutsche Ausgabe