Olaf Langmack: Difference between revisions
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==From the explanatory report== | ==From the explanatory report== | ||
Here we refer to the result of any creative effort as a ''work''. It becomes an ''artwork'' only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a [[»Museum of the I«|museum]]. | Here we refer to the result of any creative effort as a ''work''. It becomes an ''artwork'' only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a [[»Museum of the I«|museum]]. | ||
Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. That is why their self-narrative on the web alone is not [[»Notes«|credible]]. | |||
== About this website == | == About this website == | ||
This is about self-narration. Today's edition has {{NUMBEROFARTICLES}} parts, which on the web are called a page. They mostly document a single work and are tagged with [[transformal GmbH:Conventions|keywords]].<br/><br/> | This is about self-narration. Today's edition has {{NUMBEROFARTICLES}} parts, which on the web are called a page. They mostly document a single work and are tagged with [[transformal GmbH:Conventions|keywords]].<br/><br/> | ||
Revision as of 12:12, 4 May 2025
| Archive data | |
|---|---|
| A Description | A German individual |
| B Condition | »Notes« |
| C Manufacture | from 2015 until 2023 |
| D Entry | May 2023 |
| E Location | (Known unknown) |
| F Relation | »(Autofictional Novel)« |
| G Maturity level | Semi-finished work |
| H Affiliation | Olaf Langmack |
From the explanatory report
Here we refer to the result of any creative effort as a work. It becomes an artwork only when recognized participants in the art world assign this status. For example, by exhibiting the work in an art space, as in a museum. Anyone who presents themselves online is subject to far fewer restrictions than a work whose creator would like to see it ennobled as artwork. The web provides virtually everyone with the opportunity to present themselves in every conceivable role. That is why their self-narrative on the web alone is not credible.
About this website
This is about self-narration. Today's edition has 400 parts, which on the web are called a page. They mostly document a single work and are tagged with keywords.
Deutsche Ausgabe