»Museum of the I«: Difference between revisions

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<div id="preprint-magic"></div>{{BookNav|book=BookNavigation}}[[de:{{T|Museum des Ichs}}]]

<div id="preprint-magic"></div>{{BookNav|book=BookNavigation}}[[de:{{T|Museum des Ichs}}]]This is a work about silence – as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows the bodily experience of ideas he recorded during this time.

This is a work about silence – as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows the bodily experience of ideas he recorded during this time.

==Residency==

The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill.~~<br>~~

The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill.{{Place|type=OC|landscape=top|content=[[File:Vernissage.Museum-des-Ichs.IMG 7383.png|Copyright © 2023 Miriam Jesske]]}}

== Omnipresence ==

The {{W|omnipresence}} is the stay in a stimulating environment.<ref name="ENVIRONMENT" /> It serves to detach oneself from social references and their place-bound nature. The environment in question is neither suitable for every person nor didactically thought through. There are no rituals of the kind that characterize monastic life, the monastery guest can join in. Omnipresence differs from the residence in that it is not aimed at artists. It also differs from the monastery in that it has no notion of otherworldly spirituality nor serves its mission. Omnipresence does not free from everyday worries. It helps visitors how to deal with them by determining their share of the costs themself.<ref name="PRINCIPLES" /> Monasteries that host guests may practice this in a similar way.

== Note ==

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-<div id="preprint-magic"></div>{{BookNav|book=BookNavigation}}[[de:{{T|Museum des Ichs}}]]
+<div id="preprint-magic"></div>{{BookNav|book=BookNavigation}}[[de:{{T|Museum des Ichs}}]]This is a work about silence &ndash; as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows the bodily experience of ideas he recorded during this time.
-This is a work about silence &ndash; as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows the bodily experience of ideas he recorded during this time.
 ==Residency==
-The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill.<br>
+The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill.{{Place|type=OC|landscape=top|content=[[File:Vernissage.Museum-des-Ichs.IMG 7383.png|Copyright &copy; 2023 Miriam Jesske]]}}
-{{Place|type=OC|landscape=top|content=[[File:Vernissage.Museum-des-Ichs.IMG 7383.png|Copyright &copy; 2023 Miriam Jesske]]}}
 == Omnipresence ==
 The {{W|omnipresence}} is the stay in a stimulating environment.<ref name="ENVIRONMENT" /> It serves to detach oneself from social references and their place-bound nature. The environment in question is neither suitable for every person nor didactically thought through. There are no rituals of the kind that characterize monastic life, the monastery guest can join in. Omnipresence differs from the residence in that it is not aimed at artists. It also differs from the monastery in that it has no notion of otherworldly spirituality nor serves its mission. Omnipresence does not free from everyday worries. It helps visitors how to deal with them by determining their share of the costs themself.<ref name="PRINCIPLES" /> Monasteries that host guests may practice this in a similar way.
 == Note ==
 <references>