»Museum of the I«: Difference between revisions
no edit summary
OlafLangmack (talk | contribs) (→Note) |
OlafLangmack (talk | contribs) No edit summary |
||
| Line 1: | Line 1: | ||
[[de:{{T|Museum des Ichs}}]] | [[de:{{T|Museum des Ichs}}]] | ||
[[File:Vernissage.Museum-des-Ichs.IMG 7383.png|240px|right|Copyright © 2023 Miriam Jesske]] | [[File:Vernissage.Museum-des-Ichs.IMG 7383.png|240px|right|Copyright © 2023 Miriam Jesske]] | ||
This is a work about silence – as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows to | This is a work about silence – as an environment with a performative element. Its reference is Langmack's announcement in 2015 that he would tell his story. However, this took much longer than planned. In order to maintain his credibility, he remained silent until the end and thus in real life accepted the loss of control over his subject. The {{T|Museum of the I}} allows to experience the connections of ideas he recorded during this time. | ||
==Residency== | ==Residency== | ||
The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill. | The {{W|residency}} is a traditional form of art sponsoring. An artist is invited to pursue their art at the place of residence for a limited period of time, free from everyday worries. Artists list residencies in their curriculum vita, because, like collections or exhibitions, they document their professional status. While in monastic seclusion, monastic life and its religious background serve spiritual experience or enable it for guests, in the case of residencies, guidance comes from the place and the conditions that artists who are granted the residency fulfill. | ||