»Olaf Langmack«: Difference between revisions

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[[de:Olaf Langmack]]
[[de:Olaf Langmack]]
[[File:16.Portrait.Fotograf-Ulrich-Wüst.png|300px|Copyright 2016 Ulrich Wüst - All rights reserved]]<br/><br/>
[[File:16.Portrait.Fotograf-Ulrich-Wüst.png|300px|Copyright 2016 Ulrich Wüst - All rights reserved]]<br/><br/>
Lasting creative achievements seem to be associated with the sacrifice of their creators. Olaf Langmack's [[Professional Motifs|professional motives]] aim at conceptual aspects of creative activity, and if they may explain this phenomenon. &mdash; He [[Personal Motifs|advocates]] a right to free identity. His motto: &raquo;You must concentrate and consecrate yourself wholly to each day, as though a fire were raging in your hair.&laquo;<ref name="FIRE"/>
Olaf Langmack advocates for the right to [[Personal Motifs|free identity]]. His motto: &raquo;You must concentrate and consecrate yourself wholly to each day, as though a fire were raging in your hair.&laquo;<ref name="FIRE"/> Outstanding creative achievements seem to be linked to the self-sacrifice of their creators. His [[Professional Motifs|professional motives]] are focused on this phenomenon and conceptual aspects of creative activity.
<div class="res-img"><span id="Portrait Ulrich Wüst"></span>
<div class="res-img"><span id="Portrait Ulrich Wüst"></span>
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==Web History==
==Web History==
Analogous to the right to bodily autonomy, Olaf Langmack presents himself on the web since 2001, but exclusively via a single website.
He has been participating in social media since 2001; however, analogous to the right to bodily self-determination, limited to a single website.
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==Notes==
==Notes==
:: Portrait Copyright &copy; 2016 Ulrich Wüst, all rights reserved
<references>
<references>
<ref name="THANKS">Thanks for reviews&thinsp;<sup>HT,&thinsp;GL</sup>, setup&thinsp;<sup>kaa</sup> and to Miriam Jesske&thinsp;<sup>MI</sup> for art-historical advice as well as editorial collaboration</ref>
<ref name="THANKS">Thanks for reviews&thinsp;<sup>HT,&thinsp;GL</sup>, setup&thinsp;<sup>kaa</sup> and to Miriam Jesske&thinsp;<sup>MI</sup> for art-historical advice as well as editorial collaboration</ref>